50x60
This work has a striking, dramatic quality — the black and gold contrast creates both elegance and unease. The gold-lined shapes resemble bat wings, stretched wide, framing a textured golden moon at the center. The way the wings converge at the bottom hints at an unseen figure rising from shadow, which immediately evokes Nosferatu — the archetypal vampire whose form is often reduced to silhouette, claw, or winglike shadow.
Some key points the painting suggests:
Minimalism & Symbolism: Rather than a literal depiction of Nosferatu, the piece reduces him to essential elements — wings, darkness, moonlight. This abstraction makes it more psychological than narrative.
Gold as Corruption or Power: Gold is often linked with value, divinity, or allure, but here its harsh brilliance against black suggests something unnatural, possibly even decay disguised as beauty.
The Moon as Witness: The textured moon is central and luminous, both source of light and silent witness to nocturnal transformations. Its imperfect surface mirrors the distortion of Nosferatu’s own existence.
Tension Between Flatness and Depth: The carved, raised lines of the wings pull the image off the flat surface, much like Nosferatu himself emerges unnaturally from shadow.
It feels like an homage to the idea of Nosferatu rather than to the character himself — a kind of visual distillation of Gothic horror into abstract form.
 
Texture fiber, structure paste, heavy medium gel, acrylic painting, acrylic spray, varnish on canvas.